I asked a friend to come up with some questions for my 'Smashwords Interview' and these are what he came up with. I've written my answers to each of them. https://www.smashwords.com/profile/view/reneepaule
You have written five books - one for children - and have a sixth in the pipeline on the human condition. What drives you to write?
What makes a flower grow, a heart beat or the sun shine? I don’t know the answers to these questions or to what drives me to write. I only know that I’m driven and that the ‘drive’ grows stronger with each book.
Many people who read your books are looking for answers yet your books provide none; isn’t this rather a contradiction to being a self-help book?
No it isn’t. If I provide answers to questions people have then some of them will listen to me and I may be wrong - it has never been my intention to become a ‘guru’. Self-help means just that; we need to help ourselves and not rely on others to find solutions for us - which leaves us none the wiser; our strength can only be found within. We must look for our own answers and I can only show you how I’m looking for mine. Having said that, I actually have no answers - just fewer and fewer questions and this has made my heart less heavy to lug around.
What age group are your books aimed at, if any?
When I wrote ‘On The Other Hand’ I thought my audience would be in my own age group (over 50s). I was surprised to discover that younger people like them very much too, so my answer is from around 15 or so upwards.
Why did you start to illustrate your books after ‘On the other hand’ and how did the idea of ‘Dilly’ come about?
I never thought about illustrating ‘On the Other Hand’. Quite frankly, I didn’t even know I had the ability to draw so it never occurred to me - I wasn’t artistic in my youth. When I was writing ‘Just Around the Bend’ an idea popped into my head of a ‘thought bubble thinking’ and I decided to draw it - it was just a bit of fun. From then on Dilly - a thought form that thinks - became a character in his own right and he was good at demonstrating points that I made in the text. I use ‘he’ when I talk about Dilly but I really don’t think of him as either masculine or feminine - it’s just for the sake of convenience.
You do your own illustrations; how do you decide what aspect to illustrate? Your earlier books have fewer illustrations than ‘Stepping out of time’, which has 27; one short of the previous two books put together. Why is this?
Sometimes the Dilly illustrations pop into my head before I’ve even written the point I want him to demonstrate, and sometimes the ‘point’ comes first; I have no hard or fast rules about this and let the illustrations develop as and when they want to. For this reason I can’t really answer the second part of this question. I can tell you however, that the images for ‘Stepping Out of Time’ came to me so quickly that I began to wonder whether my next book would be in comic strip format - as it turned out it was to be a children’s picture book.
Why did you write a children’s book and do you have plans to write more of them? Again, an idea just came to me and I shared it with a friend and we decided to write and illustrate this book together. Yes, I have plans - and ideas - for more. Our children need to learn to think independently (outside the proverbial box) as much as we do. They learn from us and will become the future leaders of our world, so it’s important that we teach them not to be afraid of it.
The latest book you are working on; is this in the same tone as your previous books; will it have more or less illustrations?
I don’t believe that my tone changes, so my answer to the first part of this question is ‘Yes’. To date, I’ve not yet made any illustrations for it or designed the cover, so I can’t answer the second part of this question yet.
Is there much more that you can write about on the human experience before you run out of ideas?
I’m far from short of ideas. If anything, there’s a problem writing them down fast enough before I forget. Because the genres of my books are ‘self-reflection’ and ‘observation’ it follows that my ideas will only run out when I do! But, who is this ‘I’?
If you had to sum up your books in a ‘Hollywood pitch’ for example, ‘Sci-fi Meets Supernatural’, how would you describe it?
‘Beds of Nails and Other Comfortable Places’.
Where do you see yourself five years from now?
I can’t answer that question - I may not be around.
Your books have no mantras to repeat, no exercises or meditations to perform and no means of tracking progress made; in fact, on the face of it there is nothing for the reader to do. How do your books work, how do they help people who read them to help themselves?
Oh but they do have a mantra to repeat - ‘Who am I?’ Ask it and keep asking it. There are three ‘do’s in this question and this ‘doing’ has got us into enough trouble already. There really is nothing to ‘do', as such. We make life so complicated when it should be simple. My books aim to help people to think differently and to let go of all that holds them back from being the best person they can be - from becoming a responsible and mindful person in society. I’m told that my books are both a mirror and a lens, and I believe that to be true. If my books teach anything at all then they teach us the truth about ourselves - steering us inwards - and this is all too often a difficult place to visit.